Fantastic news for all classic horror movie fans (such as yours truly)!!!
Latest news coming out of Deadline.com,
EXCLUSIVE: In recent years
Universal Pictures has become defined by its
The Fast And The Furious, Despicable Me, Bourne and
Jurassic Park franchises. But the studio’s most enduring legacy is its library of classic movie monsters that include Frankenstein, Dracula, The Wolf Man, Creature Of The Black Lagoon, The Invisible Man, Bride Of Frankenstein, and The Mummy. Universal is now dedicating renewed resources and an unprecedented, far-reaching commitment to revitalize its monster heritage.
The studio is in early stages of developing a substantial new production endeavor that will expand and unify a network of classic characters and stories. The architects of that narrative will be
Alex Kurtzman and
Chris Morgan. Kurtzman recently broke with partner Roberto Orci, but his big-scale projects have included
Transformers, Star Trek and
The Amazing Spider-Man. Morgan is the writer behind five installments of
The Fast And The Furious, which has been Universal’s most reliably lucrative franchise. It’s not set in stone yet if either will write, but they will soon be going around town enlisting talent to bring new cinematic life to these enduring characters from lore, literature and Universal’s own library. While Universal has selectively tapped its Movie Monster library for
The Mummy, Van Helsing, The Wolfman, and the upcoming
Dracula Untold, this will be the first time that the studio has formalized an approach to these classic characters in a cohesive, connected way rather than as a series of stand-alone projects by disparate filmmaking teams.
They’ve begun the meetings to put together an interconnected slate of Monster films, and the first will be a reboot of
The Mummy, which will be released April 22, 2016. Part of their duty will be to work closely with production, marketing, promotions and consumer product to support the revival. They will also reevaluate projects which have preexisting attachments, and bring it under one cohesive strategy.
While some of those monster pictures haven’t panned out, this seems like a smart move. If Marvel Studios and Disney can build a billion-dollar business relying on the Marvel Comics superhero character library, why shouldn’t Universal redouble its efforts to dust off and modernize the classic movie monsters that inspired many of the movie monsters we see today?